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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'
N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'
N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'

N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Nothing's as precious as a hole in the ground, 2001

eX de Medici
Portrait, mangrove bark pigment, watercolour and gouache on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Commissioned with funds from the Basil Bressler Bequest 2001

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'

Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Alan Dowler and Dwayne Tickner
Alan Dowler and Dwayne Tickner
Alan Dowler and Dwayne Tickner

Alan Dowler and Dwayne Tickner, c. 2000

Penny Tweedie
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2004

Roo shooter's offsider, 2017 by Adam Ferguson

Roo shooter's offsider, 2017

by Adam Ferguson
Image
Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions
Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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